Linda K. Hughes - Texas Christian University. Keynote Speaker.


Linda Hughes graduated from Wichita State University in 1970. She received her BA degree summa cum laude, with a GPA above 3.9 . Her Master’s degree and Doctorate were both received from University of Missouri in Columbia, in 1971 and 1976 respectively.



Beyond the obvious 19th century British literature, her interests in research and teaching extend to studies in gender and sexuality, womens’ writing, and transatlantic literature.




Hughes has in fact edited several publications on these subjects – such as the fourth volume of A Feminist Reader: Feminist Thought from Sappho to Satrapi, and Teaching Transatlanticism: Resources for Teaching Nineteenth-Century Anglo-American Print Culture.

Her work is extensive and detailed in the study of the Victorian serial form of writing, and she has been said by multiple students to have taught them how to “read like a Victorian”.

She is presently working on an edition of The Cambridge Companion To Victorian Women’s Poetry, which will contain sixteen essays by scholars from the US, Canada, and the UK. The three parts of this work will focus on “form and the importance of the senses in women’s poetry”, “women’s poetry in relation to work, politics, religion and transnationalism”, and “middle class domestic roles embraced and resisted in women’s poetry.” She is also working on Becoming Intellectuals: Victorian Women Writers in Germany, which will explore how and why British Victorian women writers were drawn towards Germany, and the travelling to Britain of women and avant garde German writers, and the specificities of Anglo-German friendship set-ups. 

Professor Hughes was awarded the Eighteenth- and Nineteenth Century British Women Writers Association Award in 2012 for her valuable scholarly work. 

Comments

Post a Comment

Popular posts from this blog

Keynote Speaker: Joanne Shattock, Emeritus Professor, Department of English, University of Leicester: “Journalism and Literature: Contested Professions”

Professor Joanne Shattock presents a detailed historical account of the spurt of professionalization that became imbued in the field of journalism, in nineteenth- century England. Essentially tracing the trajectory that moves from the era of the ‘grub-street’ and penny-a- line to the commercialization of journalism, Shattock starts from the roots. Gibbons Merle refers to the word journalism in 1833, within his periodical Westminster Review. His main context: the lamentable lack of journalism’s respectability in England, whereas other European countries (France, in particular) had latched on to its diversifying abilities. It takes almost 20 years for the British Empire to recognize journalism as a veritable profession, with G.H. Lewes finally asserting that literature had started gaining renewed status as a profession- as lucrative as “the bar, or the church” because of the popularity and support provided by reviews, magazines and journals. Moreover, the advent of periodic
Read more

The Balloonatics of Leicester, or The Monghol Hordes of the Khan

Image
In 1864, Henry Coxwell, pioneer in aviation, announced a demonstration of one of his scientific achievements in Leicester. He planned on releasing into the sky a massive hot air balloon he had created. As is predictable, such a demonstration drew an enormous crowd from multiple sections of Victorian society. Knowing that the Victorian Era was characterised by science, rationality and technological advances, however, may be only half of the story. Students of Presidency University have attempted to narrate what is known of the events of the demonstration – which quickly developed into violence and mayhem – the opposite of everything that was thought of as “Enlightened”. Victorian society’s definition of self was one depending almost entirely on the differences it claimed between itself and other civilisations. This semi-fictional piece tries to question those differences, and by extension, the Victorian self-definition. July 10 th , 1864 from the scientific notes of H
Read more

Grimms’ Fairy Tales: An Influence on Collection of Bengali Folktales

Grimms’ Fairy Tales (originally called Children’s and Household Tales) , a collection of fairy tales first published in 1812 by the Grimm brothers play an integral role in inspiring the collection of folklore all around the world. Although the retelling of folk stories in Europe date back to 16 th century Italy and 17 th century French parlors, the collection by Grimm Brothers’ was the one which introduced folk stories widely to the European masses. The legacy of the Grimm Brothers’ on nineteenth- century Bengal was the subject of the paper ‘The Grimm Brothers’ Legacy’ presented by Prof. Amrita Chakraborty. Prof. Chakraborty starts her presentation by stating that there have been several myths surrounding this collection, the major being that the brothers went to collect folk tales from the peasant community themselves. This idea arises from the notion that folklore is generally associated with the lower members of the society. These people who keep the tradition of folk tales o
Read more